DSLR Video Production Gear

Zoom H4N or TASCAM DR-100

These types of little devices are essential as movie production field recorders, thanks to their low three hundred price tags and spectacular stereo high quality. You can use the onboard mics, which do a great job on their own, or attach exterior microphones, each of which may be recorded onto its own separate monitor in 4-Channel recording setting for the H4N. The sound quality of the affordable devices provides a tremendous amount associated with production value to a low-budget dSLR shoot, as dSLR onboard mics sound pretty horrible. Even if you possess a higher-end field recorders and mics for the main capture, the H4N may be used to capture ambient sounds to level in during post or do quick ADR classes while your actors take set. Come with an assistant in order to actors to a quiet area as well as re-record all their lines while you continue capturing. These takes can then be utilized to replace any kind of garbled lines recorded by your main device. One note: the units absence Time Code power generators, meaning almost all syncing needs to be done aesthetically making use of waveforms.

Monopod

Possessing a lightweight, retractable monopod tucked Monster Beats Studio into the gear bag has come in extremely helpful when I least expected it on dSLR movie productions. A decent monopod costs close to 20 bucks and is way lighter than any tripod. In addition to allowing myself to shoot smooth pans with my dSLR having a much smaller footprint than the usual tripod, I have also used the monopod as a increase pole which I connect my H4N to directly. For shoots in nature, Personally i have tried the monopod as a walking stick. An added bonus is the security felt by using a six-foot pole which to potentially defeat off wild animals! In the festive feeling? Quick limbo-stick! Seriously although, it a very versatile tool which could even be utilized as a stabilization device as I explain on this beats dr dre other ShutterDown write-up on Cheap or Totally free Stabilization/Steadicam Tricks.

18% Gray Card Setting appropriate exposure is best carried out with a professional lighting meter. When you are with no one (they can be a little bit pricey), then one more solution for setting exposure quickly in the field is an 18% gray cards. This is a card having a neutral color forged that contains 18% dark (on a scale wherever 0% is beats by dr dre studio pure whitened and 100% is genuine black). You can use the card to set the actual exposure on your dSLR and avoid blowing out the whites. A second use of the card would be to set your whitened balance. For many dSLRs functions equally well like a white card without having to carry something else in your equipment kit. For a lot more accurate color modification in post, purchase a three-card set containing pure whitened, 18% gray as well as pure black. After you frame your photo and set exposure, shoot a few seconds from the cards and make use of this footage in article to adjust your whitened, grey and dark levels in your colour corrector utilizing the eye-dropper tool. Need a free of charge card? Wilsonart will send you FREE types of their laminate that will be useful in the pinch. I ordered a dark, white and grey card from them in 3 by 5 sizes (choose atte? finish for reduced reflectivity), and utilized a brass binder to keep them all together. The gray is pretty close to a pro gray cards, close enough to neutral to do the secret for most photographers on a tight budget.

Collapsible Reflector When on a dSLR shoot, I love to travel because lightly as it can be. Because of this, I favor collapsible reflectors rather than holding Styrofoam boards close to. In addition to being inconvenient, large boards tend to resemble sails you should beats dr dre definitely in use as well as fly around, potentially whacking your actors or if your gear. The collapsible reflector I use shrinks to twelve? when folded and put in its case, making it a lot less of a risk and easy to hold around. It great to bounce just a little fill on an actor face or to reduce harsh lighting by acting like a shade.

Extra Media Cards Press cards, such as SD or P2 cards, can die at the worst possible moment. This particular unfortunate event happened to me once while establishing to shoot the live theater efficiency. I had examined the camera earlier and all was nicely. For some inexplicable reason, however , when I switched the camera on to start recording, my camera reported an SD card error. Thankfully, I had a spare, which I quickly formatted as well as used to record the actual show without further complications. What would I have done without this particular extra card? I shudder to consider the disappointing conversation with my customers that would have occurred had I not had that spare little card in my equipment bag. g. s. Buying an extra press card, grab a minumum of one spare electric battery for your camera too.